Episode 3: Beneath the Sea.

Coral reefs are dying at an alarming rate around the world due to coral bleaching caused by climate change. In this episode Marie Griesmar, explains the novel way her artistic practice confronts this issue: by creating generative coral reef structures that promote coral regrowth and raise awareness of their plight. Griesmar is an artist undertaking a science communication fellowship at swissnex San Francisco. nextcasts is hosted and produced by Perrine Huber.

Episode 2: On Bodily Self Perception and Interdisciplinary Collaboration.

Meet two members of the team behind RE/ME — an experimental, immersive technology created by a team of four artists and scientists who recently completed a DART residency at swissnex San Francisco. RE/ME uses vibration and sound stimuli to change the way a user perceives their body. We spoke with Diego Maranan and Frank Loesche about working in an interdisciplinary team. Hosted by Perrine Huber.

Episode 1: On Human and Machine Interaction.

A conversation with Jonathon Keats exploring the future of human and machine interaction. Keats, the Chief Visionary Officer behind the Mental Work showcase, is an experimental philosopher, and has been described as a “poet of ideas” by The New Yorker and a “multimedia philosopher-prophet” by The Atlantic. Hosted by Perrine Huber, swissnex San Francisco.

nextcast Opening Theme by Sean Clarke

The sound composition was produced in collaboration with Sean Clarke, an experimental sound composer who undertook a residency with DART at swissnex San Francisco in 2018. The idea for the opening theme began with something fundamental to this podcast — innovation. nextcasts will be contemplating and debating with people swissnex connects with about the next steps in human innovation, and Clarke wanted to introduce that by building an aural crescendo of innovative technologies and moments in history that have led us to this point in time.

Think of it as a “...previously in ‘Human Innovation!’” highlighting key points in the history of humankind, guided by some of the most influential and groundbreaking inventions and discoveries. From the initial spark of fire to technologies pushing the boundaries of space travel, the sounds selected were based on subjective opinion and artistic license. Clarke would like to think the audience might isolate specific sounds the more they hear the piece.

Sean Clarke is an experiential sound composer who has written scores for film, television, and games. His traditional training in performance, composition, and sound engineering has led him to some unusual interdisciplinary collaborations. His past knowledge has supported his interest in the contextualized perception of sound and music as a trigger for emotional and behavioral responses.

His work has been exhibited and screened internationally and has been incorporated into film and sound art projects. Notable works include awarded residencies, such as ‘Radical dB’ at Etopia, Spain, for his work ‘Acoustic Osteology,’ a speculative sound piece that considered ways to use ultrasound technologies to code music into the body. ‘Drones with Desires,’ an artwork for which Clarke wrote a neuro soundscape that played as part of an algorithm based on MRI brain data. And a recent collaborative research project that is still in progress, ‘RE/ME,’ which was part of a residency with DART and swissnex San Francisco. RE/ME’s interdisciplinary team created an experiential tool and installation to generate data from vibrotactile and sound stimulation.